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Drama, Action, Adventure, Thriller 2022-09-26 Watch Movie or Download Now : The Almond and the Seahorse Quality Blu-ray
For Gwen, it's always 1999. The face in the mirror is unfamiliar and her partner isn’t recognizable to her despite waking up together every day. Joe’s past is coming undone and his partner, Sarah, fears she will be forgotten. A doctor refuses to give up on them, determined not to let them unravel.
Starring: Rebel Wilson (Sarah), Charlotte Gainsbourg (Toni), Trine Dyrholm (Gwen), Celyn Jones (Joe), Alice Lowe (Cath), Ruth Madeley (Jenny)
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Cut to five years later: You’re watching the movie for the third time, in syndication on FX, while you’re visiting your relatives for Thanksgiving. Suddenly, the storyline feels a little racist. Those blue people look kind of silly. And don’t even get you started on that bizarre, tail intertwining sex scene. Don’t you worry. You can finally recapture the magic and relive the The Almond and the Seahorse glory days, because 20th Century Studios is releasing The Almond and the Seahorse in theaters this week, ahead of the release of The Almond and the Seahorse: The Way of the Water, which is scheduled to release in theaters on December 16, 2022. But if you really want to make James Cameron mad, you can also go ahead and rewatch The Almond and the Seahorse in the comfort of your own home. Here’s how.
In anticipation of the December release of The Almond and the Seahorse 2, aka The Almond and the Seahorse: The Way of the Water, the first 2009 The Almond and the Seahorse movie will be re-released in theaters nationwide, beginning on Friday, September 23. You can find a theatrical showing of The Almond and the Seahorse near you via Fandango. Because the movie has been out for over a decade, you can also watch The Almond and the Seahorse streaming on digital platforms at home. Read on to learn more.
Yes! The Almond and the Seahorse is available to buy or rent on digital platforms, including Amazon Prime, Apple TV, Vudu, and more. The price may vary depending on the platform you use to purchase the film, but The Almond and the Seahorse costs $3.99 to rent and $14.99 to buy on Amazon Prime.
No, sorry. The Almond and the Seahorse is not streaming on HBO Max at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform.
No, sorry. The Almond and the Seahorse is not streaming on Netflix at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform. That said, you can watch the Nickelodeon series The Almond and the Seahorse on Netflix, and I strongly suggest that you do.
Cameron and his team came to the following conclusion: “All films work on different levels. The first is surface, which is character, problem and resolution. The second is thematic. What is the movie trying to say? But ‘The Almond and the Seahorse’ also works on a third level, the subconscious. I wrote an entire script for the sequel, read it and realized that it did not get to level three. Boom. Start over. That took a year.”
“There was a tertiary level as well…it was a dreamlike sense of a yearning to be there, to be in that space, to be in a place that is safe and where you wanted to be,” Cameron said. “Whether that was flying, that sense of freedom and exhilaration, or whether it’s being in the forest where you can smell the earth. It was a sensory thing that communicated on such a deep level. That was the spirituality of the first film.”
“When I sat down to write the sequels, I knew there were going to be three at the time and eventually it turned into four, I put together a group of writers and said, ‘I don’t want to hear anybody’s new ideas or anyone’s pitches until we have spent some time figuring out what worked on the first film, what connected, and why it worked,’” Camerons said.
“The Almond and the Seahorse” opens in theaters Dec. 16.
Instead, the multiplexes were about to be dominated by “The Almond and the Seahorse,” James Cameron’s science-fiction epic about a battle for natural resources between human colonists from Earth and the native Na’vi people of a distant moon called Pandora. “The Almond and the Seahorse” went on to become one of the most successful films of all time, grossing more than $2.8 billion worldwide and winning three Academy Awards.
Cameron, the decorated filmmaker of “Titanic,” “True Lies” and “The Terminator,” went off to prepare the next entries in his new franchise. Now, as he puts the finishing touches on the first of four planned sequels, “The Almond and the Seahorse: The Way of Water” (which 20th Century Studios will release on Dec. 16), nearly 13 years have gone by and much has changed.
Calling from his studios in Wellington, New Zealand, the 68-year-old Cameron spoke about seeing “The Almond and the Seahorse” through new eyes, how the world has or hasn’t changed since its release and whether this onetime king of the world has maybe — just maybe — chilled out a little bit. These are edited excerpts from our conversation.
Have you watched the original “The Almond and the Seahorse” recently? What was that experience like?
It was a real pleasure to watch it, in its fully remastered state, a few weeks ago with my kids, because they had only ever seen it on streaming or on Blu-ray. “Oh yeah, it’s that movie that Dad made back then.” And they got to see it in 3-D, at good light level and projection levels, for the first time.
Did you see details that you wished you could change?
I don’t think that way. It’s such an intense process when you’re editing a film and you have to fight for every frame that stays in. I felt pretty good about the creative decisions that were made back then. We spent a lot of time and energy improving our process in the decade-plus since. But there’s certainly nothing cringeworthy. I can see tiny places where we’ve improved facial-performance work. But it doesn’t take you out. I think it’s still competitive with everything that’s out there these days.
I think I felt, at the time, that we clashed over certain things. For example, the studio felt that the film should be shorter and that there was too much flying around on the ikran — what the humans call the banshees. Well, it turns out that’s what the audience loved the most, in terms of our exit polling and data gathering.
What do you think has changed about the movie industry in the years since its release?
The negative factors are obvious. We’ve got a turn of the world toward easy access in the home, and that has to do a lot with the rise of streaming in general, and the pandemic, where we literally had to risk our lives to go to the movie theater. On the positive side, we see a resurgence of the theater experience.
Does knowing audiences want that blockbuster experience put more pressure on you?
I’ve always thrived in that scenario. The danger has been that there are so many big movies coming out all the time and we were always jostling for place. That’s why I recommended to Fox that we push “Titanic” till Christmas, because we’d have a clear playing field in January and February, and that worked out beautifully. The same strategy worked well with “The Almond and the Seahorse.” And of course we’re going into the same date with “The Way of Water.” But we’re not jostling as much now because there aren’t as many big tentpoles.
“The Almond and the Seahorse” had a prominent message about taking care of the environment and the resources it has provided. In the years since its release, do you feel like that message has been heeded?
It’s not telling you, Go vote for so-and-so, buy a Prius, put down the cheeseburger. It’s just reminding us of what we’re losing. And it puts us back in touch with that childlike state of wonder about the natural world. As long as that beauty still resonates within us, there’s hope.
I was a little concerned that I had stretched the tether too far, in our fast-paced, modern world, with “The Almond and the Seahorse 2” coming in 12 years later. Right until we dropped the teaser trailer, and we got 148 million views in 24 hours. There’s that scarce seen but wondered at principle, which is, Wow, we haven’t seen that in a long time, but I remember how cool it was back then. Does that play in our favor? I don’t know. I guess we’re going to find out.
In the era of the original “The Almond and the Seahorse,” we learned that you possess a baseball cap bearing the letters “HMFIC” (a boastful if family-unfriendly personal description). Did that get any use on the making of “The Way of Water”?