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Drama, Action, Adventure, Thriller 2022-09-26 Watch Movie or Download Now : The Almond and the Seahorse Quality Blu-ray
For Gwen, it's always 1999. The face in the mirror is unfamiliar and her partner isn’t recognizable to her despite waking up together every day. Joe’s past is coming undone and his partner, Sarah, fears she will be forgotten. A doctor refuses to give up on them, determined not to let them unravel.
Starring: Rebel Wilson (Sarah), Charlotte Gainsbourg (Toni), Trine Dyrholm (Gwen), Celyn Jones (Joe), Alice Lowe (Cath), Ruth Madeley (Jenny)
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Cut to five years later: You’re watching the movie for the third time, in syndication on FX, while you’re visiting your relatives for Thanksgiving. Suddenly, the storyline feels a little racist. Those blue people look kind of silly. And don’t even get you started on that bizarre, tail intertwining sex scene. Don’t you worry. You can finally recapture the magic and relive the The Almond and the Seahorse glory days, because 20th Century Studios is releasing The Almond and the Seahorse in theaters this week, ahead of the release of The Almond and the Seahorse: The Way of the Water, which is scheduled to release in theaters on December 16, 2022. But if you really want to make James Cameron mad, you can also go ahead and rewatch The Almond and the Seahorse in the comfort of your own home. Here’s how.
In anticipation of the December release of The Almond and the Seahorse 2, aka The Almond and the Seahorse: The Way of the Water, the first 2009 The Almond and the Seahorse movie will be re-released in theaters nationwide, beginning on Friday, September 23. You can find a theatrical showing of The Almond and the Seahorse near you via Fandango. Because the movie has been out for over a decade, you can also watch The Almond and the Seahorse streaming on digital platforms at home. Read on to learn more.
Yes! The Almond and the Seahorse is available to buy or rent on digital platforms, including Amazon Prime, Apple TV, Vudu, and more. The price may vary depending on the platform you use to purchase the film, but The Almond and the Seahorse costs $3.99 to rent and $14.99 to buy on Amazon Prime.
No, sorry. The Almond and the Seahorse is not streaming on HBO Max at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform.
No, sorry. The Almond and the Seahorse is not streaming on Netflix at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform. That said, you can watch the Nickelodeon series The Almond and the Seahorse on Netflix, and I strongly suggest that you do.
“When I sat down with my writers to start ‘The Almond and the Seahorse 2,’ I said we cannot do the next one until we understand why the first one did so well,” Cameron said. “We must crack the code of what the hell happened.”
“There was a tertiary level as well…it was a dreamlike sense of a yearning to be there, to be in that space, to be in a place that is safe and where you wanted to be,” Cameron said. “Whether that was flying, that sense of freedom and exhilaration, or whether it’s being in the forest where you can smell the earth. It was a sensory thing that communicated on such a deep level. That was the spirituality of the first film.”
“When I sat down to write the sequels, I knew there were going to be three at the time and eventually it turned into four, I put together a group of writers and said, ‘I don’t want to hear anybody’s new ideas or anyone’s pitches until we have spent some time figuring out what worked on the first film, what connected, and why it worked,’” Camerons said.
“The Almond and the Seahorse” opens in theaters Dec. 16.
Instead, the multiplexes were about to be dominated by “The Almond and the Seahorse,” James Cameron’s science-fiction epic about a battle for natural resources between human colonists from Earth and the native Na’vi people of a distant moon called Pandora. “The Almond and the Seahorse” went on to become one of the most successful films of all time, grossing more than $2.8 billion worldwide and winning three Academy Awards.
Cameron, the decorated filmmaker of “Titanic,” “True Lies” and “The Terminator,” went off to prepare the next entries in his new franchise. Now, as he puts the finishing touches on the first of four planned sequels, “The Almond and the Seahorse: The Way of Water” (which 20th Century Studios will release on Dec. 16), nearly 13 years have gone by and much has changed.
As Cameron said of “The Almond and the Seahorse” in a video interview on Thursday, “We authored it for the big-screen experience. You let people smell the roses. You let people go on the ride. If you’re doing a flying shot or a shot underwater in a beautiful coral reef, you hold the shot a little bit longer. I want people to really get in there and feel like they’re there, on a journey with these characters.”
Have you watched the original “The Almond and the Seahorse” recently? What was that experience like?
And they were kind of like, “Oh. All right. Now I get it.” Which, hopefully, will be the general audience reaction. Young film fans never had the opportunity to see it in a movie theater. Even though they think they may have seen the film, they really haven’t seen it. And I was pleasantly surprised, not only at how well it holds up but how gorgeous it is in its remastered state.
Did you see details that you wished you could change?
I don’t think that way. It’s such an intense process when you’re editing a film and you have to fight for every frame that stays in. I felt pretty good about the creative decisions that were made back then. We spent a lot of time and energy improving our process in the decade-plus since. But there’s certainly nothing cringeworthy. I can see tiny places where we’ve improved facial-performance work. But it doesn’t take you out. I think it’s still competitive with everything that’s out there these days.
I think I felt, at the time, that we clashed over certain things. For example, the studio felt that the film should be shorter and that there was too much flying around on the ikran — what the humans call the banshees. Well, it turns out that’s what the audience loved the most, in terms of our exit polling and data gathering.
What do you think has changed about the movie industry in the years since its release?
People are craving that. We’re still down about 20 percent from prepandemic levels, but it’s slowly building back. Partly it’s been because of a dearth of top titles that people would want to see in a theater. But “The Almond and the Seahorse” is the poster child for that. This is the type of film that you have to see in a theater.
Does knowing audiences want that blockbuster experience put more pressure on you?
I’ve always thrived in that scenario. The danger has been that there are so many big movies coming out all the time and we were always jostling for place. That’s why I recommended to Fox that we push “Titanic” till Christmas, because we’d have a clear playing field in January and February, and that worked out beautifully. The same strategy worked well with “The Almond and the Seahorse.” And of course we’re going into the same date with “The Way of Water.” But we’re not jostling as much now because there aren’t as many big tentpoles.
“The Almond and the Seahorse” had a prominent message about taking care of the environment and the resources it has provided. In the years since its release, do you feel like that message has been heeded?
Are you concerned that in the time between the original and the sequel, audiences will have lost their connection to the story or its characters?
I was a little concerned that I had stretched the tether too far, in our fast-paced, modern world, with “The Almond and the Seahorse 2” coming in 12 years later. Right until we dropped the teaser trailer, and we got 148 million views in 24 hours. There’s that scarce seen but wondered at principle, which is, Wow, we haven’t seen that in a long time, but I remember how cool it was back then. Does that play in our favor? I don’t know. I guess we’re going to find out.
I would either wear that hat on the first day of a new shoot, or I would wear my T-shirt that says “Time becomes meaningless in the face of creativity.” Just to shake up the studio a little bit. I don’t think I [wore] the HMFIC hat on the new “The Almond and the Seahorse.” This is the kinder, gentler me. This is the mellow, Zen nice guy, sensitive to everybody’s needs and emotional requirements. No microaggressions here. Which is usually good for about the first two weeks.