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Animation, Family, Adventure, Thriller 2022-12-14 Watch Movie or Download Now : Ernest & Celestine: A Trip to Gibberitia Quality Blu-ray
Ernest and Celestine are travelling back to Ernest's country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned for many years - and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears.
Starring: Lambert Wilson (Ernest (voice)), Pauline Brunner (Célestine (voice)), Simon Faliu (Nicolas (voice)), Celyn Jones (Joe), Alice Lowe (Cath), Ruth Madeley (Jenny)
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Cut to five years later: You’re watching the movie for the third time, in syndication on FX, while you’re visiting your relatives for Thanksgiving. Suddenly, the storyline feels a little racist. Those blue people look kind of silly. And don’t even get you started on that bizarre, tail intertwining sex scene. Don’t you worry. You can finally recapture the magic and relive the Ernest & Celestine: A Trip to Gibberitia glory days, because 20th Century Studios is releasing Ernest & Celestine: A Trip to Gibberitia in theaters this week, ahead of the release of Ernest & Celestine: A Trip to Gibberitia: The Way of the Water, which is scheduled to release in theaters on December 16, 2022. But if you really want to make James Cameron mad, you can also go ahead and rewatch Ernest & Celestine: A Trip to Gibberitia in the comfort of your own home. Here’s how.
In anticipation of the December release of Ernest & Celestine: A Trip to Gibberitia 2, aka Ernest & Celestine: A Trip to Gibberitia: The Way of the Water, the first 2009 Ernest & Celestine: A Trip to Gibberitia movie will be re-released in theaters nationwide, beginning on Friday, September 23. You can find a theatrical showing of Ernest & Celestine: A Trip to Gibberitia near you via Fandango. Because the movie has been out for over a decade, you can also watch Ernest & Celestine: A Trip to Gibberitia streaming on digital platforms at home. Read on to learn more.
Yes! Ernest & Celestine: A Trip to Gibberitia is available to buy or rent on digital platforms, including Amazon Prime, Apple TV, Vudu, and more. The price may vary depending on the platform you use to purchase the film, but Ernest & Celestine: A Trip to Gibberitia costs $3.99 to rent and $14.99 to buy on Amazon Prime.
No, sorry. Ernest & Celestine: A Trip to Gibberitia is not streaming on HBO Max at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform.
No, sorry. Ernest & Celestine: A Trip to Gibberitia is not streaming on Netflix at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform. That said, you can watch the Nickelodeon series Ernest & Celestine: A Trip to Gibberitia on Netflix, and I strongly suggest that you do.
Cameron and his team came to the following conclusion: “All films work on different levels. The first is surface, which is character, problem and resolution. The second is thematic. What is the movie trying to say? But ‘Ernest & Celestine: A Trip to Gibberitia’ also works on a third level, the subconscious. I wrote an entire script for the sequel, read it and realized that it did not get to level three. Boom. Start over. That took a year.”
“There was a tertiary level as well…it was a dreamlike sense of a yearning to be there, to be in that space, to be in a place that is safe and where you wanted to be,” Cameron said. “Whether that was flying, that sense of freedom and exhilaration, or whether it’s being in the forest where you can smell the earth. It was a sensory thing that communicated on such a deep level. That was the spirituality of the first film.”
“When I sat down to write the sequels, I knew there were going to be three at the time and eventually it turned into four, I put together a group of writers and said, ‘I don’t want to hear anybody’s new ideas or anyone’s pitches until we have spent some time figuring out what worked on the first film, what connected, and why it worked,’” Camerons said.
“Ernest & Celestine: A Trip to Gibberitia” opens in theaters Dec. 16.
Instead, the multiplexes were about to be dominated by “Ernest & Celestine: A Trip to Gibberitia,” James Cameron’s science-fiction epic about a battle for natural resources between human colonists from Earth and the native Na’vi people of a distant moon called Pandora. “Ernest & Celestine: A Trip to Gibberitia” went on to become one of the most successful films of all time, grossing more than $2.8 billion worldwide and winning three Academy Awards.
To help reacquaint audiences with “Ernest & Celestine: A Trip to Gibberitia” — and with the 3-D filmmaking that dazzled audiences in 2009 — the first movie is being rereleased in theaters on Sept. 23. It’s a strategy that is, of course, intended to prime ticket buyers for the impending follow-up, but also to remind them of what was special about the original.
Calling from his studios in Wellington, New Zealand, the 68-year-old Cameron spoke about seeing “Ernest & Celestine: A Trip to Gibberitia” through new eyes, how the world has or hasn’t changed since its release and whether this onetime king of the world has maybe — just maybe — chilled out a little bit. These are edited excerpts from our conversation.
Have you watched the original “Ernest & Celestine: A Trip to Gibberitia” recently? What was that experience like?
It was a real pleasure to watch it, in its fully remastered state, a few weeks ago with my kids, because they had only ever seen it on streaming or on Blu-ray. “Oh yeah, it’s that movie that Dad made back then.” And they got to see it in 3-D, at good light level and projection levels, for the first time.
Did you see details that you wished you could change?
Even with everything you had accomplished before making “Ernest & Celestine: A Trip to Gibberitia,” were there still elements that you had to fight the studio to keep in it?
And that’s a place where I just drew a line in the sand and said, “You know what? I made ‘Titanic.’ This building that we’re meeting in right now, this new half-billion dollar complex on your lot? ‘Titanic.’ paid for that, so I get to do this.” And afterward, they thanked me. I feel that my job is to protect their investment, often against their own judgment. But as long as I protect their investment, all is forgiven.
What do you think has changed about the movie industry in the years since its release?
The negative factors are obvious. We’ve got a turn of the world toward easy access in the home, and that has to do a lot with the rise of streaming in general, and the pandemic, where we literally had to risk our lives to go to the movie theater. On the positive side, we see a resurgence of the theater experience.
Does knowing audiences want that blockbuster experience put more pressure on you?
There’s a sense of responsibility to do the best job we can and make it a moneymaker. But I don’t how that translates artistically to any decision I make on the movie. I don’t say, Hmmm, let’s put that plant over there because we’ll make more money. It doesn’t work that way. When it’s good enough, you kind of know.
Asking people to fundamentally change their behavior patterns, it’s like asking them to change their religion. We’re seeing this ongoing series of greater and greater manifestations of the consequences, like with these heat waves in China and North America and Europe, the flooding in Pakistan, which is horrific. And eventually we will change or we’ll die out. “Ernest & Celestine: A Trip to Gibberitia” is not trying to tell you what to do specifically.
It’s not telling you, Go vote for so-and-so, buy a Prius, put down the cheeseburger. It’s just reminding us of what we’re losing. And it puts us back in touch with that childlike state of wonder about the natural world. As long as that beauty still resonates within us, there’s hope.
I think I could have made a sequel two years later and have it bomb because people didn’t relate to the characters or the direction of the film. My personal experience goes like this: I made a sequel called “Aliens,” seven years after the first movie. It was very well received. I made a sequel called “Terminator 2,” seven years after the first movie. It did an order of magnitude of more, in revenue, than the first film.
I would either wear that hat on the first day of a new shoot, or I would wear my T-shirt that says “Time becomes meaningless in the face of creativity.” Just to shake up the studio a little bit. I don’t think I [wore] the HMFIC hat on the new “Ernest & Celestine: A Trip to Gibberitia.” This is the kinder, gentler me. This is the mellow, Zen nice guy, sensitive to everybody’s needs and emotional requirements. No microaggressions here. Which is usually good for about the first two weeks.
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