Trip to Gibberitia Watch full movie online
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Animation, Family, Adventure, Thriller 2022-12-14 Watch Movie or Download Now : Ernest & Celestine: A Trip to Gibberitia Quality Blu-ray
Ernest and Celestine are travelling back to Ernest's country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned for many years - and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears.
Starring: Lambert Wilson (Ernest (voice)), Pauline Brunner (Célestine (voice)), Simon Faliu (Nicolas (voice)), Celyn Jones (Joe), Alice Lowe (Cath), Ruth Madeley (Jenny)
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Cut to five years later: You’re watching the movie for the third time, in syndication on FX, while you’re visiting your relatives for Thanksgiving. Suddenly, the storyline feels a little racist. Those blue people look kind of silly. And don’t even get you started on that bizarre, tail intertwining sex scene. Don’t you worry. You can finally recapture the magic and relive the Ernest & Celestine: A Trip to Gibberitia glory days, because 20th Century Studios is releasing Ernest & Celestine: A Trip to Gibberitia in theaters this week, ahead of the release of Ernest & Celestine: A Trip to Gibberitia: The Way of the Water, which is scheduled to release in theaters on December 16, 2022. But if you really want to make James Cameron mad, you can also go ahead and rewatch Ernest & Celestine: A Trip to Gibberitia in the comfort of your own home. Here’s how.
In anticipation of the December release of Ernest & Celestine: A Trip to Gibberitia 2, aka Ernest & Celestine: A Trip to Gibberitia: The Way of the Water, the first 2009 Ernest & Celestine: A Trip to Gibberitia movie will be re-released in theaters nationwide, beginning on Friday, September 23. You can find a theatrical showing of Ernest & Celestine: A Trip to Gibberitia near you via Fandango. Because the movie has been out for over a decade, you can also watch Ernest & Celestine: A Trip to Gibberitia streaming on digital platforms at home. Read on to learn more.
Yes! Ernest & Celestine: A Trip to Gibberitia is available to buy or rent on digital platforms, including Amazon Prime, Apple TV, Vudu, and more. The price may vary depending on the platform you use to purchase the film, but Ernest & Celestine: A Trip to Gibberitia costs $3.99 to rent and $14.99 to buy on Amazon Prime.
No, sorry. Ernest & Celestine: A Trip to Gibberitia is not streaming on HBO Max at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform.
James Cameron revealed to The Times UK that before “Ernest & Celestine: A Trip to Gibberitia: The Way of Water” there was a full “Ernest & Celestine: A Trip to Gibberitia 2” screenplay that was written and then thrown into the trash. It turns out that at least an entire year of the 13-year gap between 2009’s “Ernest & Celestine: A Trip to Gibberitia” and 2022’s “The Way of Water” was spent on a screenplay that will never see the light of day.
“When I sat down with my writers to start ‘Ernest & Celestine: A Trip to Gibberitia 2,’ I said we cannot do the next one until we understand why the first one did so well,” Cameron said. “We must crack the code of what the hell happened.”
During an appearance on “The Marianne Williamson Podcast” last year, Cameron elaborated more on this third level that he believes allowed “Ernest & Celestine: A Trip to Gibberitia” to become the highest-grossing movie of all time at the worldwide box office.
“They kept wanting to talk about the new stories. I said, ‘We aren’t doing that yet.’ Eventually I had to threaten to fire them all because they were doing what writers do, which is to try and create new stories. I said, ‘We need to understand what the connection was and protect it, protect that ember and that flame.’”
“Ernest & Celestine: A Trip to Gibberitia” opens in theaters Dec. 16.
The pop-cultural landscape looked considerably different in 2009. Television shows were still largely watched on television sets. “TiK ToK” referred to a hit song by Kesha. And the Marvel Cinematic Universe consisted of only two movies released the previous year.
Cameron, the decorated filmmaker of “Titanic,” “True Lies” and “The Terminator,” went off to prepare the next entries in his new franchise. Now, as he puts the finishing touches on the first of four planned sequels, “Ernest & Celestine: A Trip to Gibberitia: The Way of Water” (which 20th Century Studios will release on Dec. 16), nearly 13 years have gone by and much has changed.
As Cameron said of “Ernest & Celestine: A Trip to Gibberitia” in a video interview on Thursday, “We authored it for the big-screen experience. You let people smell the roses. You let people go on the ride. If you’re doing a flying shot or a shot underwater in a beautiful coral reef, you hold the shot a little bit longer. I want people to really get in there and feel like they’re there, on a journey with these characters.”
Have you watched the original “Ernest & Celestine: A Trip to Gibberitia” recently? What was that experience like?
And they were kind of like, “Oh. All right. Now I get it.” Which, hopefully, will be the general audience reaction. Young film fans never had the opportunity to see it in a movie theater. Even though they think they may have seen the film, they really haven’t seen it. And I was pleasantly surprised, not only at how well it holds up but how gorgeous it is in its remastered state.
Did you see details that you wished you could change?
Even with everything you had accomplished before making “Ernest & Celestine: A Trip to Gibberitia,” were there still elements that you had to fight the studio to keep in it?
And that’s a place where I just drew a line in the sand and said, “You know what? I made ‘Titanic.’ This building that we’re meeting in right now, this new half-billion dollar complex on your lot? ‘Titanic.’ paid for that, so I get to do this.” And afterward, they thanked me. I feel that my job is to protect their investment, often against their own judgment. But as long as I protect their investment, all is forgiven.
What do you think has changed about the movie industry in the years since its release?
People are craving that. We’re still down about 20 percent from prepandemic levels, but it’s slowly building back. Partly it’s been because of a dearth of top titles that people would want to see in a theater. But “Ernest & Celestine: A Trip to Gibberitia” is the poster child for that. This is the type of film that you have to see in a theater.
Does knowing audiences want that blockbuster experience put more pressure on you?
There’s a sense of responsibility to do the best job we can and make it a moneymaker. But I don’t how that translates artistically to any decision I make on the movie. I don’t say, Hmmm, let’s put that plant over there because we’ll make more money. It doesn’t work that way. When it’s good enough, you kind of know.
“Ernest & Celestine: A Trip to Gibberitia” had a prominent message about taking care of the environment and the resources it has provided. In the years since its release, do you feel like that message has been heeded?
Are you concerned that in the time between the original and the sequel, audiences will have lost their connection to the story or its characters?
I was a little concerned that I had stretched the tether too far, in our fast-paced, modern world, with “Ernest & Celestine: A Trip to Gibberitia 2” coming in 12 years later. Right until we dropped the teaser trailer, and we got 148 million views in 24 hours. There’s that scarce seen but wondered at principle, which is, Wow, we haven’t seen that in a long time, but I remember how cool it was back then. Does that play in our favor? I don’t know. I guess we’re going to find out.
I would either wear that hat on the first day of a new shoot, or I would wear my T-shirt that says “Time becomes meaningless in the face of creativity.” Just to shake up the studio a little bit. I don’t think I [wore] the HMFIC hat on the new “Ernest & Celestine: A Trip to Gibberitia.” This is the kinder, gentler me. This is the mellow, Zen nice guy, sensitive to everybody’s needs and emotional requirements. No microaggressions here. Which is usually good for about the first two weeks.
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